He would arrive early in the morning, balancing the load of bread on his head, and set up his stall on the banks of the Bosporus. If you get there early, you would get a fresh piece.
A little more than a decade after selling my last Nikon film camera (Nikon F5 – probably the best camera I have ever owned), I am about to “experiment” with film, once again. Going through some old boxes, I found an old Nikonos V I bought several years ago, but never used. I took it on a diving trip to the Caribbean, but realised, when we got there, that I did not pack the rubber seals and grease. The Nikonos went back into one of the chamois leather sleeves (which I hand-stitched myself) I used to have for keeping my bodies […]
The Last Photograph by Emma Chapman My rating: 4 of 5 stars View all my reviews
By Ismail Lagardien 3 March 2018. I have been wrestling with the idea of deleting my old blog posts of the past few years, and starting all over. Whenever I considered this there have always been two slight (big) problems, one philosophical (yes, I know…) and one historical. Let me pose them as questions. Have I changed my mind about what I wrote before the end of December 2017, when I “shut down” my website for “maintenance”? Is it necessary to keep an historical record of what I have written over the months and years? Whenever I think about these […]
13 December 2017. The analysis of pictures can be fun. Sometimes it can be a silly pass-time, sometimes not. The semiotics is the serious part. In theory the semiotics of images – the study of signs and signifying practices in a photograph – refers to any particular thing that is purposefully or unwittingly placed within a frame, and that refers to something else, or that conveys particular messages that were not initially intended by the photographer. There are several signifying practices which refers to how, as opposed to what, meaning is produced within a photograph. When viewing photographs, or any […]
By Ismail Lagardien 19 September 2017. This is an old pic, taken two years ago by Gaia Manco. I am placing it online for two reasons; because the exhibit – Between States of Emergency which ‘honours photographers who risked their lives and freedom to expose the brutality of apartheid in the late 1980s’, has come to an end after traveling the country for two years. I am honoured that some of my work was part of this exhibition by the Nelson Mandela Foundation. The other reasons is, well, not for public discussion, suffice to say that nothing can take […]